Showing Collections: 21 - 30 of 52
Mary Wood Hinman collection of English folk songs
Gale Hunt papers
Sheet music, writings, corrspondence, personal papers, subject files, photographs and sound recordings, circa 1915-1999, from composer Gale Hunt (also known as Gary Borden Hall). The bulk of the collection pertains to Hunt's original musical, A San Francisco Sunday (1994), for which he wrote the book, music, and lyrics. The collection also includes papers and photographs documenting Hunt's personal life and extended family.
Robert F. Jani papers
Marvin C. Johnson papers
Scripts, sheet music, copyright information, and notes, 1955-1975, from writer Marvin C. Johnson. The bulk of the collection is comprised of scripts and sheet music from the musical, "How to Make a Dumb Blonde," (1969-1973) written by Johnson, with music by James Anderson.
Ralph W. Judd collection on Cross-Dressing in the Performing Arts
Raoul Kraushaar music scores
Collection consists of the handwritten orchestrations for the television program The Thin Man written by American composer Raoul Kraushaar.
Latin American popular and folk music collection
This small collection contains sheet music of Latin American popular and folk music dating from the late 19th century. There are 44 pieces representing eight countries: Argentina (1 item), Cuba (4 items), Guatemala (7 items), Honduras (1 item), Mexico (21 items), Nicaragua (1 item), Spain (5 items), and the United States (4 items), as well as one international volume published by Uniao Pan-Americana.
Oscar Levant papers
This collection contains the papers of American pianist, composer, and radio and television personality Oscar Levant (1906-1972). Materials include original musical scores and parts by Levant, including classical compositions, as well as music for Broadway, film, and radio; published sheet music; personal and business correspondence; photographs; two television scripts; some personal items, and one sound recording and two film reels.
Robert Linn papers
The Robert Linn papers contains drafts and final copies of music compositions by Robert Linn, along with a few programs for concerts and other events. Linn joined the faculty of the USC School of Music in 1957 and served as the Chairman of the Music Theory and Composition Department from 1973 to 1990. Over the course of his career, Linn published compositions for symphony and wind orchestras and chorus and chamber ensembles.